Etherwood – Spoken (Isolation Jam)

Buy or stream ‘Isolation Jams’ here: www.Etherwood.lnk.to/IsolationJamsyc

‘Isolation Jams’ is the beautifully stripped-back acoustic exploration from former Med School headliner, now Hospital Records sensation, Etherwood, created during our unexpected period of isolation in 2020. Known for his deeply soothing and uplifting drum & bass, Etherwood strikes heartstrings with six acoustic covers of his own well-loved D+B anthems, plus Wilkinson’s ‘Afterglow,’ in a series that came to life from his own home. This wonderfully unique seven-track release showcases Etherwood’s raw flair as a multi-talented artist, bringing his soulful vocals and meaningful lyrics to light.

‘Isolation Jams’ opens with a moving rendition of one of his most loved tracks to date, ‘Begin By Letting Go’ taken from his self-titled debut album in 2013. Heavily sustained guitar strings lead us in, remnant of the anticipation evoked in iconic tracks by Pink Floyd, one of Etherwood’s earliest influences. Spacey improvisation develops into arguably the most anthemic of Woody’s lighter-raising productions as we absorb his ethereal vocals and catchy guitar progressions, this 2020 acoustic rendition adds yet another layer of depth to this D+B ballad that has stood the test of time.

With his adaptation of ‘Afterglow’ Etherwood reimagines the original to create a poignant reflection of the times, with the slow tempo mirrors the sleepy pace of isolation. The lyrics, ‘even though the dancing’s done’, originally sung by the incredible Becky Hill, find new meaning in the colourful memories once shared and remind us of the healing power of musical experiences.

The EP draws warmly to a close with ‘Clouds’, pure, understated food for the soul. With a moving stripped-back, vocal lead from Phoebe Freya and moody guitar plucks. It’s clear that even when you peel back the drums, and the bass, Etherwood’s singer-songwriter talent shines through, laden with atmosphere and emotion.

With three successful albums under Etherwood’s belt, ‘Isolation Jams’ is an exciting new addition to his collection. His debut album ‘Etherwood’ gained support from a variety of BBC Radio 1 and 1Xtra DJs such as Annie Mac and MistaJam, and also saw club support from tastemakers such as Netsky and Sub Focus. Etherwood’s second album ‘Blue Leaves’ flew straight to the top of the iTunes Electronic chart, sparking two nominations in the Drum & Bass Awards: ‘Best Producer’ and ‘Best Album’. Etherwood is no stranger to the BBC Radio 1 playlist, featuring with tracks such as ‘Forest Fires’ his Fred V & Grafix collaboration and ‘Light My Way Home’ ft. Eva Lazarus. He also had the honour to perform his own live session at the iconic Maida Vale studios, and featured on Crissy Criss’s highly exclusive ‘Xtra Talent’ show on BBC Radio 1.

Follow Etherwood:

www.facebook.com/etherwood/
www.twitter.com/etherwooduk?
www.instagram.com/etherwooduk/

Follow Hospital Records:

http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords

http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospitalrecords
http://www.google.com/+HospitalRecords

Flava D – Mesmerise (Bop x Subwave Remix)

Buy or stream ‘Hospitality House Party’ here: www.HospitalRecords.lnk.to/HospitalityHousePartyyc

The Hospital Records family are here to provide your much needed dose of fresh cuts from all corners of drum & bass in their ‘Hospitality House Party’ compilation. The annual summer album from the south-London based imprint provides a soundtrack for a time in our lives that has changed every one of us. From their homes to yours, their weekly virtual parties have allowed us to come together under the shared love for 174 beats per minute.

The album is packed with 32 brand new original tracks, collaborations and remixes to make sure that good vibes and even better music are in plentiful supply, featuring the likes of Camo & Krooked, Flava D, London Elektricity, S.P.Y, Kings Of The Rollers, Degs, Logistics and Makoto, seamlessly blended together by Nu:Tone on the continuous mix.

Delivering everything you’d expect plus more, Urbandawn’s ‘Carnival Blues’ is a nod to his eclectic musical background.The Sao Paulo-based sonic architect canvasses vibrations from around the world into an untestable drum & bass cruncher. Villem sets the compilation in motion with ‘We Had A Song’ ft Leo Wood, a 2020 cover of a classic by the progressive contemporary icons The Roots – “You Got Me”. Villem infuses drum & bass with neo soul and hip hop to create a sublime liquid bouncer drenched in moreish guitar riffs and comforting strings.

His first release since his seventh studio album, Hospital head-honcho London Elektricity has teamed up again with the Stockholm-based Bulgarian Goddess, providing stunning orchestral sounds in ‘Someone Once Gave Me A Melody’. Camo & Krooked meet Pola & Bryson on their official remix of ‘Turn Up (The Music)’. Incorporating the anthemic synth and vocal leads from the original, brisk breaks and growling basses flip the tune on its head turning it into a sub-heavy summer striker.

Embarking on an interplanetary journey through bass-ridden black holes, powerhouse trio Kings Of The Rollers have stepped up with ‘Saturn’s Strings’, plus ‘The Prophet’ which marks Voltage’s first solo release on Hospital Records. The compilation also sees an exciting release from dance music duo My Nu Leng as they join forces with Dread MC on ‘Worldwide’, a tearout destroyer that draws for system shaking basslines.

Whilst they won’t be able to unite the Hospital family and wider drum & bass community this summer, Hospital Records and Hospitality continue to supply the highest calibre of music, no matter what the circumstances.

Follow Flava D:

https://www.facebook.com/FlavaDMusic/

https://www.instagram.com/flava_d/

Follow Bop x Subwave:

https://www.facebook.com/bopxsubwave/

https://www.facebook.com/iambop

https://www.facebook.com/subwavemusic

Follow Hospital Records:

http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords

http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospitalrecords
http://www.google.com/+HospitalRecords

Metrik – Requiem

Buy or stream ‘Ex Machina’ here: http://www.metrikmusic.lnk.to/ExMachinayc

Metrik’s highly anticipated third album ‘Ex-Machina’, on Hospital Records, is an exhilarating and flawlessly executed evolution of his unique sonic identity, filled with high-octane drum & bass frequencies and first-class dancefloor tear-ups. ‘Ex-Machina’ continues to elevate Metrik’s sound to new heights with his own vocals and songwriting taking centre stage throughout the 13-track LP, also welcoming features from Grafix and ShockOne. After 10 years shaping the face of dancefloor D+B through his technical precision and immaculate mixdowns, Metrik is firmly established by fans and peers alike as one of the most highly respected producers in the game.

The album opens with ‘Automata’ – this techy bruiser triangulates meaty basslines, crunchy riffs and melodic highs. Metrik enlists label-mate Grafix for the drum & bass / rock hybrid ‘Parallel’, where the pair demonstrate their unrivalled production mastery through uplifting melodies and an anthemic hook.

Metrik has teamed up with Australian bass music titan ShockOne on ‘Dying Light’ which sees euphoric vocal hooks sung by Metrik himself complete with an electrifying bassline, destined to power up sound systems worldwide. The album also includes his previous singles ‘Hackers’, ‘We Are The Energy’ and ‘Gravity’ that saw him packing out dancefloors during his tours across the US, Europe and Australasia.

Having firmly established his dancefloor sound on an international scale, Metrik’s heavyweight drum & bass prowess sees support from the likes of BBC Radio 1’s Annie Mac, MistaJam and Rene LaVice. His powerful anthems have been spun by D+B legends such as Andy C, Sub Focus, Friction, Culture Shock and more, across clubs and airwaves worldwide. Metrik is previously known for his popular solo works ‘Want My Love’, ‘Fatso’, ‘We Got It’ and ‘Chasing Sunrise’, as well as his collaborative remix with D+B high flyer Wilkinson of ‘I Need’, that reached the BBC Radio 1 playlist in 2019.

Having also previously held the esteemed role of BBC Radio 1’s year-long residency host, Metrik is no stranger to holding his own on the airwaves, and can be found during isolation hosting his own weekly ‘Ex Machina Sessions’ live and direct from his studio where the album was created.

Follow Metrik:

https://www.facebook.com/metrikmusic/

https://www.instagram.com/metrikmusic/

Follow Hospital Records:

http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords

http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospitalrecords
http://www.google.com/+HospitalRecords

Askel, Elere & Trisector – Last Days

Buy or stream ‘Med School: Graduation’ here: http://www.HospitalRecords.lnk.to/MSGraduationyc

After thirteen years and over ninety releases, Med School has stacked the chairs and closed its doors. As a final farewell to the label, the ‘Med School: Graduation’ compilation celebrates the life of Hospital Records’ once sister label, as well as the musicians and culture that defined it, with 23 brand new tracks from label stalwarts such as Bop, Keeno, Etherwood and Whiney as well as the new blood that was always so important to the label’s experimental output.

In Med School fashion, the album brings together a myriad of drum & bass stylings and beyond. From the microfunk movements of Bop to Illexandra’s warped emergency warnings, Lakeway’s upfront grime beats to the unique electronic musings of Frederic Robinson, A.Fruit and Kimyan Law.

Representing the serene side of Med School is Etherwood’s ‘Nowhere To Go But Everywhere’, alongside beautiful contributions from Keeno, Natus and Polaris. The tribal infusions of Royalston’s stepper ‘Mark’s Shibari Groove’ and Lung’s techno-fused rabbit hole ‘Stop Crying’ switch up the pace to reflect the breadth of Med School’s outputs. The compilation also calls back to the very beginnings of the label with a special VIP treatment of S.P.Y’s first release in the Hospital camp, MEDIC1 ‘Black Flag’.

Whiney not only brings in his deep new stepper ‘Close To You’ but is also the man behind the continuous mix on the album, seamlessly bringing together all 23 tracks for one final salute to Med School Music.

“ Medschool was an amazing label for taking risks, from Syntax to The Erised and everything in between… Without risks and new talent we cannot grow. Without you believing in our risks and new talent we are nothing.” – London Elektricity.

Follow Askel:

https://www.facebook.com/askelmusic/

Follow Elere:

https://www.facebook.com/pg/elerednb/posts/

Follow Hospital Records:

http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords

http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospitalrecords
http://www.google.com/+HospitalRecords

DRS & Dynamite – Playing In The Dark (feat. The Vanguard Project)

Buy or stream ‘Playing In The Dark’ here: https://drs-dynamite.ffm.to/playinginthedark.oyd

Vocal veterans DRS & Dynamite present ‘Playing In The Dark’, the debut LP from their collaborative project released on Hospital Records. These two pivotal figures, who have stood at the forefront of drum & bass for over two decades, have now teamed up with an array of globally respected producers including Calibre, Roni Size, Nu:Tone, S.P.Y, DJ Zinc, Chimpo and DJ Marky, to create an uncharted 16-track LP. Following on from the success of the pair’s first single ‘Fix It All (feat. London Elektricity)’, sit back and get ready to embark on the lyrical journey of a lifetime.

Getting straight to work, ‘Back & Forth’ sees the flows of DRS & Dynamite effortlessly bounce off each other over a relentless S.P.Y instrumental. Cold bars and a fierce bassline set the track up to be timeless, that will ignite sound systems worldwide. Following suit, rave legend DJ Zinc lends his vast depths of experience for ‘Get Down’, a high energy roller with bouncing vocal hooks, energising drums and that signature catchy low-end that Zinc’s become so famed for.

Affirming his status as a true mic champion, DRS demonstrates an ability to complement his heavy hitting flows with dynamic vocal melodies in title track ‘Playing In The Dark (feat. The Vanguard Project)’, coupled with Dynamite’s sharp and meaningful lyrics, they explore the importance and inequality surrounding MC and lyricist culture within D+B. Reminiscent of their love for pirate radio, ‘Highrise FM’ sees DRS & Dynamite reflect on memories of spreading music and good vibes which still shines brightly to this day. The track is produced by none other than the liquid-funk, ambient and downtempo pioneer Calibre. Leading figure of the jungle and drum & bass movement Roni Size also steps up for ‘Not The Fakes Ones’. This remarkable link up of three legends within the scene culminates in a truly up front and in your face record, exactly what we’ve come to expect from the Reprazent pioneer.

DRS first came across Dynamite during his time in Roni Size’s Bristol collective Reprazent, the winners of the 1997 Mercury Prize ‘Album Of The Year’, now showing full circle movements in 2020. ‘Playing In The Dark’ pays respect to this collaboration and the combination of styles which is signalled so clearly throughout DRS and Dynamite’s sound. As Dynamite explains that “the producers [brought] their pallets” for himself and DRS “to paint on”, the duo were able to convey their message, history and wisdom in one of the most boundary pushing projects that drum & bass has seen.

Follow DRS:

https://www.facebook.com/Delrokski/

https://www.instagram.com/delrokski/

Follow Dynamite:

https://www.facebook.com/DynamiteUK/
https://www.instagram.com/dynamitemcmc

Follow The Vanguard Project:

https://www.facebook.com/thevanguardprojectdnb/
https://www.twitter.com/dnbvanguard?
https://www.instagram.com/dnbvanguard/

Follow Hospital Records:

http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords

http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospitalrecords
http://www.google.com/+HospitalRecords

Metrik – Thunderblade

Buy or stream ‘Ex Machina’ here: http://www.metrikmusic.lnk.to/ExMachinayc

Metrik’s highly anticipated third album ‘Ex-Machina’, on Hospital Records, is an exhilarating and flawlessly executed evolution of his unique sonic identity, filled with high-octane drum & bass frequencies and first-class dancefloor tear-ups. ‘Ex-Machina’ continues to elevate Metrik’s sound to new heights with his own vocals and songwriting taking centre stage throughout the 13-track LP, also welcoming features from Grafix and ShockOne. After 10 years shaping the face of dancefloor D+B through his technical precision and immaculate mixdowns, Metrik is firmly established by fans and peers alike as one of the most highly respected producers in the game.

The album opens with ‘Automata’ – this techy bruiser triangulates meaty basslines, crunchy riffs and melodic highs. Metrik enlists label-mate Grafix for the drum & bass / rock hybrid ‘Parallel’, where the pair demonstrate their unrivalled production mastery through uplifting melodies and an anthemic hook.

Metrik has teamed up with Australian bass music titan ShockOne on ‘Dying Light’ which sees euphoric vocal hooks sung by Metrik himself complete with an electrifying bassline, destined to power up sound systems worldwide. The album also includes his previous singles ‘Hackers’, ‘We Are The Energy’ and ‘Gravity’ that saw him packing out dancefloors during his tours across the US, Europe and Australasia.

Having firmly established his dancefloor sound on an international scale, Metrik’s heavyweight drum & bass prowess sees support from the likes of BBC Radio 1’s Annie Mac, MistaJam and Rene LaVice. His powerful anthems have been spun by D+B legends such as Andy C, Sub Focus, Friction, Culture Shock and more, across clubs and airwaves worldwide. Metrik is previously known for his popular solo works ‘Want My Love’, ‘Fatso’, ‘We Got It’ and ‘Chasing Sunrise’, as well as his collaborative remix with D+B high flyer Wilkinson of ‘I Need’, that reached the BBC Radio 1 playlist in 2019.

Having also previously held the esteemed role of BBC Radio 1’s year-long residency host, Metrik is no stranger to holding his own on the airwaves, and can be found during isolation hosting his own weekly ‘Ex Machina Sessions’ live and direct from his studio where the album was created.

Follow Metrik:

https://www.facebook.com/metrikmusic/

https://www.instagram.com/metrikmusic/

Follow Hospital Records:

http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords

http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospitalrecords
http://www.google.com/+HospitalRecords

Etherwood – We’re Nothing Without Love (Isolation Jam)

Buy or stream ‘Isolation Jams’ here: https://www.Etherwood.lnk.to/IsolationJamsyc

‘Isolation Jams’ is the beautifully stripped-back acoustic exploration from former Med School headliner, now Hospital Records sensation, Etherwood, created during our unexpected period of isolation in 2020. Known for his deeply soothing and uplifting drum & bass, Etherwood strikes heartstrings with six acoustic covers of his own well-loved D+B anthems, plus Wilkinson’s ‘Afterglow,’ in a series that came to life from his own home. This wonderfully unique seven-track release showcases Etherwood’s raw flair as a multi-talented artist, bringing his soulful vocals and meaningful lyrics to light.

‘Isolation Jams’ opens with a moving rendition of one of his most loved tracks to date, ‘Begin By Letting Go’ taken from his self-titled debut album in 2013. Heavily sustained guitar strings lead us in, remnant of the anticipation evoked in iconic tracks by Pink Floyd, one of Etherwood’s earliest influences. Spacey improvisation develops into arguably the most anthemic of Woody’s lighter-raising productions as we absorb his ethereal vocals and catchy guitar progressions, this 2020 acoustic rendition adds yet another layer of depth to this D+B ballad that has stood the test of time.

With his adaptation of ‘Afterglow’ Etherwood reimagines the original to create a poignant reflection of the times, with the slow tempo mirrors the sleepy pace of isolation. The lyrics, ‘even though the dancing’s done’, originally sung by the incredible Becky Hill, find new meaning in the colourful memories once shared and remind us of the healing power of musical experiences.

The EP draws warmly to a close with ‘Clouds’, pure, understated food for the soul. With a moving stripped-back, vocal lead from Phoebe Freya and moody guitar plucks. It’s clear that even when you peel back the drums, and the bass, Etherwood’s singer-songwriter talent shines through, laden with atmosphere and emotion.

With three successful albums under Etherwood’s belt, ‘Isolation Jams’ is an exciting new addition to his collection. His debut album ‘Etherwood’ gained support from a variety of BBC Radio 1 and 1Xtra DJs such as Annie Mac and MistaJam, and also saw club support from tastemakers such as Netsky and Sub Focus. Etherwood’s second album ‘Blue Leaves’ flew straight to the top of the iTunes Electronic chart, sparking two nominations in the Drum & Bass Awards: ‘Best Producer’ and ‘Best Album’. Etherwood is no stranger to the BBC Radio 1 playlist, featuring with tracks such as ‘Forest Fires’ his Fred V & Grafix collaboration and ‘Light My Way Home’ ft. Eva Lazarus. He also had the honour to perform his own live session at the iconic Maida Vale studios, and featured on Crissy Criss’s highly exclusive ‘Xtra Talent’ show on BBC Radio 1.

Follow Etherwood:

https://www.facebook.com/etherwood/
https://www.twitter.com/etherwooduk?
https://www.instagram.com/etherwooduk/

Follow Hospital Records:

http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords

http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospitalrecords
http://www.google.com/+HospitalRecords

S.P.Y – Come Back To Me

Buy ‘Come Back To Me’ – https://bit.ly/2BJLJnZ

Taken from the thirty two track ‘Hospitality House Party’ compilation album on Hospital Records.

↪ S.P.Y

https://www.facebook.com/thespymusic/

↪ Hospital

https://www.facebook.com/hospitalrecords

#drumandbass #dnb #bass #spy #hospital

———- Skankandbass Links ———-

W: http://skankandbass.com/
FB: http://facebook.com/skankandbass
TW: http://twitter.com/skankandbass
SC: http://soundcloud.com/skankandbass
IG: http://instagram.com/skankandbass
SP: http://spoti.fi/29gDYXE

Metrik – Shadows

Buy or stream ‘Ex Machina’ here: https://www.metrikmusic.lnk.to/ExMachinayc

Metrik’s highly anticipated third album ‘Ex-Machina’, on Hospital Records, is an exhilarating and flawlessly executed evolution of his unique sonic identity, filled with high-octane drum & bass frequencies and first-class dancefloor tear-ups. ‘Ex-Machina’ continues to elevate Metrik’s sound to new heights with his own vocals and songwriting taking centre stage throughout the 13-track LP, also welcoming features from Grafix and ShockOne. After 10 years shaping the face of dancefloor D+B through his technical precision and immaculate mixdowns, Metrik is firmly established by fans and peers alike as one of the most highly respected producers in the game.

The album opens with ‘Automata’ – this techy bruiser triangulates meaty basslines, crunchy riffs and melodic highs. Metrik enlists label-mate Grafix for the drum & bass / rock hybrid ‘Parallel’, where the pair demonstrate their unrivalled production mastery through uplifting melodies and an anthemic hook.

Metrik has teamed up with Australian bass music titan ShockOne on ‘Dying Light’ which sees euphoric vocal hooks sung by Metrik himself complete with an electrifying bassline, destined to power up sound systems worldwide. The album also includes his previous singles ‘Hackers’, ‘We Are The Energy’ and ‘Gravity’ that saw him packing out dancefloors during his tours across the US, Europe and Australasia.

Having firmly established his dancefloor sound on an international scale, Metrik’s heavyweight drum & bass prowess sees support from the likes of BBC Radio 1’s Annie Mac, MistaJam and Rene LaVice. His powerful anthems have been spun by D+B legends such as Andy C, Sub Focus, Friction, Culture Shock and more, across clubs and airwaves worldwide. Metrik is previously known for his popular solo works ‘Want My Love’, ‘Fatso’, ‘We Got It’ and ‘Chasing Sunrise’, as well as his collaborative remix with D+B high flyer Wilkinson of ‘I Need’, that reached the BBC Radio 1 playlist in 2019.

Having also previously held the esteemed role of BBC Radio 1’s year-long residency host, Metrik is no stranger to holding his own on the airwaves, and can be found during isolation hosting his own weekly ‘Ex Machina Sessions’ live and direct from his studio where the album was created.

Follow Metrik:

https://www.facebook.com/metrikmusic/

https://www.instagram.com/metrikmusic/

Follow Hospital Records:

http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords

http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospitalrecords
http://www.google.com/+HospitalRecords

Etherwood – Afterglow (Isolation Jam)

Buy or stream ‘Isolation Jams’ here: https://Etherwood.lnk.to/IsolationJamsyc

‘Isolation Jams’ is the beautifully stripped-back acoustic exploration from former Med School headliner, now Hospital Records sensation, Etherwood, created during our unexpected period of isolation in 2020. Known for his deeply soothing and uplifting drum & bass, Etherwood strikes heartstrings with six acoustic covers of his own well-loved D+B anthems, plus Wilkinson’s ‘Afterglow,’ in a series that came to life from his own home. This wonderfully unique seven-track release showcases Etherwood’s raw flair as a multi-talented artist, bringing his soulful vocals and meaningful lyrics to light.

‘Isolation Jams’ opens with a moving rendition of one of his most loved tracks to date, ‘Begin By Letting Go’ taken from his self-titled debut album in 2013. Heavily sustained guitar strings lead us in, remnant of the anticipation evoked in iconic tracks by Pink Floyd, one of Etherwood’s earliest influences. Spacey improvisation develops into arguably the most anthemic of Woody’s lighter-raising productions as we absorb his ethereal vocals and catchy guitar progressions, this 2020 acoustic rendition adds yet another layer of depth to this D+B ballad that has stood the test of time.

With his adaptation of ‘Afterglow’ Etherwood reimagines the original to create a poignant reflection of the times, with the slow tempo mirrors the sleepy pace of isolation. The lyrics, ‘even though the dancing’s done’, originally sung by the incredible Becky Hill, find new meaning in the colourful memories once shared and remind us of the healing power of musical experiences.

The EP draws warmly to a close with ‘Clouds’, pure, understated food for the soul. With a moving stripped-back, vocal lead from Phoebe Freya and moody guitar plucks. It’s clear that even when you peel back the drums, and the bass, Etherwood’s singer-songwriter talent shines through, laden with atmosphere and emotion.

With three successful albums under Etherwood’s belt, ‘Isolation Jams’ is an exciting new addition to his collection. His debut album ‘Etherwood’ gained support from a variety of BBC Radio 1 and 1Xtra DJs such as Annie Mac and MistaJam, and also saw club support from tastemakers such as Netsky and Sub Focus. Etherwood’s second album ‘Blue Leaves’ flew straight to the top of the iTunes Electronic chart, sparking two nominations in the Drum & Bass Awards: ‘Best Producer’ and ‘Best Album’. Etherwood is no stranger to the BBC Radio 1 playlist, featuring with tracks such as ‘Forest Fires’ his Fred V & Grafix collaboration and ‘Light My Way Home’ ft. Eva Lazarus. He also had the honour to perform his own live session at the iconic Maida Vale studios, and featured on Crissy Criss’s highly exclusive ‘Xtra Talent’ show on BBC Radio 1.

Follow Etherwood:

https://www.facebook.com/etherwood/
https://www.twitter.com/etherwooduk?
https://www.instagram.com/etherwooduk/

Follow Hospital Records:

http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords

http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospitalrecords
http://www.google.com/+HospitalRecords

Voltage – ‘Balance Over Symmetry’ Album Announcement Stream

Following the announcement of Voltage’s forthcoming solo album ‘Balance Over Symmetry’ out on Hospital Records on 25th September, get locked in for a very special hour packed with plenty of unreleased gold and album material.

Follow Voltage:

https://www.facebook.com/voltageukdnb/
https://www.twitter.com/VOLTAGE_DRUMS?
https://www.instagram.com/voltage_uk_/

Follow Hospital Records:

http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords

http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospitalrecords
http://www.google.com/+HospitalRecords

Villem – We Had A Song (feat. Leo Wood)

Buy or stream ‘Hospitality House Party’ here: https://www.HospitalRecords.lnk.to/HospitalityHousePartyso

The Hospital Records family are here to provide your much needed dose of fresh cuts from all corners of drum & bass in their ‘Hospitality House Party’ compilation. The annual summer album from the south-London based imprint provides a soundtrack for a time in our lives thathas changed every one of us. From their homes to yours, their weekly virtual parties have allowed us to come together under the shared love for 174 beats per minute. The album is packed with 32 brand new original tracks, collaborations and remixes to make sure that good vibes and even better music are in plentiful supply, featuring the likes of Camo & Krooked, Flava D, London Elektricity, S.P.Y, Kings Of The Rollers, Degs, Logistics and Makoto, seamlessly blended together by Nu:Tone on the continuous mix.

Delivering everything you’d expect plus more, Urbandawn’s ‘Carnival Blues’ is a nod to his eclectic musical background.The Sao Paulo-based sonic architect canvasses vibrations fromaround the world into an untestable drum & bass cruncher. Villem sets the compilation in motion with ‘We Had A Song’ ft Leo Wood, a 2020 adaptation of a classic by the progressive contemporary icons The Roots – “You Got Me”. Villem infuses drum & bass with neo soul and hip hop to create a sublime liquid bouncer drenched in moreish guitar riffs and comforting strings.His first release since his seventh studio album, Hospital head-honcho London Elektricity has teamed up again with the Stockholm-based Bulgarian Goddess, providing stunning orchestral sounds in ‘Someone Once Gave Me A Melody’. Camo & Krooked meet Pola & Bryson on their official remix of ‘Turn Up (The Music)’ Incorporating the anthemic synth and vocal leads from the original, brisk breaks and growling basses flip the tune on its head turning it into a sub-heavy summer striker.

Embarking on an interplanetary journey through bass-ridden black holes, powerhouse trio Kings Of The Rollers have stepped up with ‘Saturn’s Strings’, plus ‘The Prophet’ which marks Voltage’s first solo release on Hospital Records. The compilation also sees an exciting release from dance music duo My Nu Leng as they join forces with Dread MC on ‘Worldwide’, a tearout destroyer that draws for system shaking basslines.Whilst they won’t be able to unite the Hospital family and wider drum & bass community this summer, Hospital Records and Hospitality continue to supply the highest calibre of music, nomatter what the circumstances.

Follow Villem:

https://www.facebook.com/VillemUK/

https://www.twitter.com/villemuk?

Follow Hospital Records:

http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords

http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospitalrecords
http://www.google.com/+HospitalRecords

DRS & Dynamite – Back & Forth (feat. S.P.Y) Official Video

Buy or stream ‘Playing In The Dark’ here: https://www.drs-dynamite.ffm.to/playinginthedark.oyd

Vocal veterans DRS & Dynamite present ‘Playing In The Dark’, the debut LP from their collaborative project released on Hospital Records. These two pivotal figures, who have stood at the forefront of drum & bass for over two decades, have now teamed up with an array of globally respected producers including Calibre, Roni Size, Nu:Tone, S.P.Y, DJ Zinc, Chimpo and DJ Marky, to create an uncharted 16-track LP. Following on from the success of the pair’s first single ‘Fix It All (feat. London Elektricity)’, sit back and get ready to embark on the lyrical journey of a lifetime.

Getting straight to work, ‘Back & Forth’ sees the flows of DRS & Dynamite effortlessly bounce off each other over a relentless S.P.Y instrumental. Cold bars and a fierce bassline set the track up to be timeless, that will ignite sound systems worldwide. Following suit, rave legend DJ Zinc lends his vast depths of experience for ‘Get Down’, a high energy roller with bouncing vocal hooks, energising drums and that signature catchy low-end that Zinc’s become so famed for.

Affirming his status as a true mic champion, DRS demonstrates an ability to complement his heavy hitting flows with dynamic vocal melodies in title track ‘Playing In The Dark (feat. The Vanguard Project)’, coupled with Dynamite’s sharp and meaningful lyrics, they explore the importance and inequality surrounding MC and lyricist culture within D+B. Reminiscent of their love for pirate radio, ‘Highrise FM’ sees DRS & Dynamite reflect on memories of spreading music and good vibes which still shines brightly to this day. The track is produced by none other than the liquid-funk, ambient and downtempo pioneer Calibre. Leading figure of the jungle and drum & bass movement Roni Size also steps up for ‘Not The Fakes Ones’. This remarkable link up of three legends within the scene culminates in a truly up front and in your face record, exactly what we’ve come to expect from the Reprazent pioneer.

DRS first came across Dynamite during his time in Roni Size’s Bristol collective Reprazent, the winners of the 1997 Mercury Prize ‘Album Of The Year’, now showing full circle movements in 2020. ‘Playing In The Dark’ pays respect to this collaboration and the combination of styles which is signalled so clearly throughout DRS and Dynamite’s sound. As Dynamite explains that “the producers [brought] their pallets” for himself and DRS “to paint on”, the duo were able to convey their message, history and wisdom in one of the most boundary pushing projects that drum & bass has seen.

Follow DRS:

https://www.facebook.com/Delrokski/

https://www.instagram.com/delrokski/

Follow Dynamite:

https://www.facebook.com/DynamiteUK/
https://www.instagram.com/dynamitemcmc

Follow S.P.Y:

http://www.spydnb.com/
https://www.facebook.com/thespymusic



http://instagram.com/spyderdnb

Follow Hospital Records:

http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords

http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospitalrecords
http://www.google.com/+HospitalRecords

Metrik – Dying Light (feat. ShockOne) (Flite Remix)

Buy or stream ‘Dying Light (feat. ShockOne) (Flite Remix)’ here: https://www.metrikmusic.lnk.to/dyinglightfliteremixyc

Taken from his highly anticipated third album ‘Ex-Machina’, on Hospital Records, Metrik has teamed up with Australian bass music titan ShockOne on ‘Dying Light’ which sees euphoric vocal hooks sung by Metrik himself complete with an electrifying bassline, destined to deliver energising vibrations worldwide.

Incorporating new levels of power to the mix, Texas based dancefloor D+B icon Flite has worked up a supreme ripper of a remix. With releases on UKF, Pilot, Viper, and Liquicity, Flite is no stranger to cooking up untestable bangers, evidenced by his new-wave liquid anthems such as ‘Joy’ and ‘Decisions’.

Gliding basslines ripple beneath Metrik’s enrapturing vocals, accompanied by weighty drums and uplifting arpeggios. Distorted plucks champion the instantly recognisable melody, whilst distinctive pad swells throughout the breakdown breathe a new lease of life into the track.

‘Ex Machina’ is an exhilarating and flawlessly executed evolution of Metrik’s unique sonic identity, filled with high-octane frequencies and first-class dancefloor tear-ups such as his previous singles ‘We Are The Energy’, ‘Parallel ft Grafix’ and ‘Automata’. Continuing to elevate his sound to new heights, Metrik’s very own vocals and songwriting take centre stage throughout his latest studio album, and have already seen support from leading dance music tastemakers such as Annie Mac, MistaJam, Rene La Vice, Charlie Tee, and Shadow Child to name a few.

Follow Metrik:

http://www.facebook.com/metrikmusic/

http://www.instagram.com/metrikmusic/

Follow Flite:

http://www.facebook.com/FliteDNB/

http://www.instagram.com/flitednb/

Follow ShockOne:

http://www.en-gb.facebook.com/shockonemusic/
http://www.twitter.com/therealshockone?
http://www.instagram.com/therealshockone/

Follow Hospital Records:

http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords

http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospitalrecords
http://www.google.com/+HospitalRecords

Hospital Podcast 422 with London Elektricity

We’re back with another edition of the Hospital Records podcast for episode 422! With the release of our summer compilation looming around the corner, London Elektricity dives in head first and doesn’t hold back in playing us fresh tunes from the album. Expect heavy hitters from the likes of Kings Of The Rollers, S.P.Y, The Vanguard Project, Fred V and many more!

Tracklist:

Villem – Roots Booty
The Vanguard Project – Burning Up
Culture Shock – Visions
Serum – Speedball
Voltage – The Prophet
Kings Of The Rollers – Saturn’s Strings
Whiney – November
Metrik – Parallel (feat. Grafix)
Fred V – Hands Of Time (feat. Alex Frankl)
S.P.Y – Come Back To Me
Need For Mirrors – Adults Only
Winslow – Snap Out Of It
Euphonique – Don’t Need Nobody
Metrik – Requiem
Need For Mirrors – Fumes
Calibre – When Sunday Goes
Askel & Elere – Shy
Impish + Meta – Keep Warm
London Elektricity – Someone Once Gave Me A Melody
Whiney – Black Ice
Whiney – No Good

Follow Hospital Records:

http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords

http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospitalrecords
http://www.google.com/+HospitalRecords

Natus – Kind Words

Buy or stream ‘Med School: Graduation’ here: http://www.HospitalRecords.lnk.to/MSGraduationyc

After thirteen years and over ninety releases, Med School has stacked the chairs and closed its doors. As a final farewell to the label, the ‘Med School: Graduation’ compilation celebrates the life of Hospital Records’ once sister label, as well as the musicians and culture that defined it, with 23 brand new tracks from label stalwarts such as Bop, Keeno, Etherwood and Whiney as well as the new blood that was always so important to the label’s experimental output.

In Med School fashion, the album brings together a myriad of drum & bass stylings and beyond. From the microfunk movements of Bop to Illexandra’s warped emergency warnings, Lakeway’s upfront grime beats to the unique electronic musings of Frederic Robinson, A.Fruit and Kimyan Law.

Representing the serene side of Med School is Etherwood’s ‘Nowhere To Go But Everywhere’, alongside beautiful contributions from Keeno, Natus and Polaris. The tribal infusions of Royalston’s stepper ‘Mark’s Shibari Groove’ and Lung’s techno-fused rabbit hole ‘Stop Crying’ switch up the pace to reflect the breadth of Med School’s outputs. The compilation also calls back to the very beginnings of the label with a special VIP treatment of S.P.Y’s first release in the Hospital camp, MEDIC1 ‘Black Flag’.

Whiney not only brings in his deep new stepper ‘Close To You’ but is also the man behind the continuous mix on the album, seamlessly bringing together all 23 tracks for one final salute to Med School Music.

“ Medschool was an amazing label for taking risks, from Syntax to The Erised and everything in between… Without risks and new talent we cannot grow. Without you believing in our risks and new talent we are nothing.” – London Elektricity.

Follow Natus:

https://en-gb.facebook.com/natusmusic/

https://www.instagram.com/natusdnb/

Follow Hospital Records:

http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords

http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospitalrecords
http://www.google.com/+HospitalRecords

Whiney – November

Buy or stream ‘Bubblers Part One’ here: https://Whiney.lnk.to/bubblerspartoneyb

Then one of Med School’s youngest ever signings with his compilation feature ‘No More’, drum & bass head turner Whiney has stepped up to the plate for his first solo release since officially joining the Hospital Records roster. Reputable for supplying heavy duty sonics, ‘Bubblers Part One’ is a supreme development of the 25-year old’s highly sought signature sound. Home to four fresh cuts marking the start of his trailblazing new three-part ‘Bubblers’ series, Whiney’s latest EP proves he’s got the technique and flair to be a lead player in the scene.

Jungle-infused gritty stepper ‘No Good’ gets things rolling with old-school soundscapes and a captivating R&B style vocal. A fierce ascending bassline accompanied by raw breaks and crisp percussion hits explode into play, setting the track up to be a future classic that continues to carry the foundations of drum & bass into the sounds of today.

Featuring the vocals of mic veteran MC GQ, ‘Guernsey Airport Bubbler’ is straight-talking and deadly. Written in the lounge of Guernsey Airport amidst his busy touring schedule pre-lockdown, this quirky heavy hitter comes close to being a textbook audible representation of a true bubbler.

Minimal sounding and darker in vibe, ‘Black Ice’ offers a copious amount of distorted swells, a throbbing sub line and snappy drums which keep the tune swinging throughout. Icey by name but extremely hot in nature – proceed with caution! ‘November’ rounds off the EP as it draws closer to Whiney’s trip-hop and future bass oriented inspirations. Thumping kick drums, high pitched vocal chops and dreamy synth work are projected into a glistening beacon showcasing the far reaching ability of his skill as a creator.

With an impressive collection of releases under his belt on the recently closed Med School imprint, including ‘Stop The Clock / Breadcrumbs (feat. BOP)’, his ‘Waystone’ LP and debut album ‘Talisman’, it’s now time for Whiney to officially join the Hospital Records roster with his first solo release on the label as he continues to pave his way to becoming one of the most respected artists within drum & bass.

Follow Whiney:

http://www.facebook.com/whineymusic

http://www.instagram.com/whineymusic

Follow Hospital Records:

http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords

http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospitalrecords
http://www.google.com/+HospitalRecords

Facing Jinx – Rest Assured (feat. Lavahi)

Buy or stream ‘Med School: Graduation’ here: https://www.HospitalRecords.lnk.to/MSGraduationyc

After thirteen years and over ninety releases, Med School has stacked the chairs and closed its doors. As a final farewell to the label, the ‘Med School: Graduation’ compilation celebrates the life of Hospital Records’ once sister label, as well as the musicians and culture that defined it, with 23 brand new tracks from label stalwarts such as Bop, Keeno, Etherwood and Whiney as well as the new blood that was always so important to the label’s experimental output.

In Med School fashion, the album brings together a myriad of drum & bass stylings and beyond. From the microfunk movements of Bop to Illexandra’s warped emergency warnings, Lakeway’s upfront grime beats to the unique electronic musings of Frederic Robinson, A.Fruit and Kimyan Law.

Representing the serene side of Med School is Etherwood’s ‘Nowhere To Go But Everywhere’, alongside beautiful contributions from Keeno, Natus and Polaris. The tribal infusions of Royalston’s stepper ‘Mark’s Shibari Groove’ and Lung’s techno-fused rabbit hole ‘Stop Crying’ switch up the pace to reflect the breadth of Med School’s outputs. The compilation also calls back to the very beginnings of the label with a special VIP treatment of S.P.Y’s first release in the Hospital camp, MEDIC1 ‘Black Flag’.

Whiney not only brings in his deep new stepper ‘Close To You’ but is also the man behind the continuous mix on the album, seamlessly bringing together all 23 tracks for one final salute to Med School Music.

“ Medschool was an amazing label for taking risks, from Syntax to The Erised and everything in between… Without risks and new talent we cannot grow. Without you believing in our risks and new talent we are nothing.” – London Elektricity

Follow Facing Jinx:

https://www.facebook.com/Facing-Jinx-118243694312/

Follow Hospital Records:

http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords

http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospitalrecords
http://www.google.com/+HospitalRecords

Kings Of The Rollers – Saturn’s Strings

Buy or stream ‘Hospitality House Party’ here: http://www.HospitalRecords.lnk.to/HospitalityHousePartyyc

The Hospital Records family are here to provide your much needed dose of fresh cuts from all corners of drum & bass in their ‘Hospitality House Party’ compilation. The annual summer album from the south-London based imprint provides a soundtrack for a time in our lives that has changed every one of us. From their homes to yours, their weekly virtual parties have allowed us to come together under the shared love for 174 beats per minute.

The album is packed with 32 brand new original tracks, collaborations and remixes to make sure that good vibes and even better music are in plentiful supply, featuring the likes of Camo & Krooked, Flava D, London Elektricity, S.P.Y, Kings Of The Rollers, Degs, Logistics and Makoto, seamlessly blended together by Nu:Tone on the continuous mix.

Delivering everything you’d expect plus more, Urbandawn’s ‘Carnival Blues’ is a nod to his eclectic musical background.The Sao Paulo-based sonic architect canvasses vibrations from around the world into an untestable drum & bass cruncher. Villem sets the compilation in motion with ‘We Had A Song’ ft Leo Wood, a 2020 cover of a classic by the progressive contemporary icons The Roots – “You Got Me”. Villem infuses drum & bass with neo soul and hip hop to create a sublime liquid bouncer drenched in moreish guitar riffs and comforting strings.

His first release since his seventh studio album, Hospital head-honcho London Elektricity has teamed up again with the Stockholm-based Bulgarian Goddess, providing stunning orchestral sounds in ‘Someone Once Gave Me A Melody’. Camo & Krooked meet Pola & Bryson on their official remix of ‘Turn Up (The Music)’. Incorporating the anthemic synth and vocal leads from the original, brisk breaks and growling basses flip the tune on its head turning it into a sub-heavy summer striker.

Embarking on an interplanetary journey through bass-ridden black holes, powerhouse trio Kings Of The Rollers have stepped up with ‘Saturn’s Strings’, plus ‘The Prophet’ which marks Voltage’s first solo release on Hospital Records. The compilation also sees an exciting release from dance music duo My Nu Leng as they join forces with Dread MC on ‘Worldwide’, a tearout destroyer that draws for system shaking basslines.

Whilst they won’t be able to unite the Hospital family and wider drum & bass community this summer, Hospital Records and Hospitality continue to supply the highest calibre of music, no matter what the circumstances.

Follow Hospital Records:

http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords

http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospitalrecords
http://www.google.com/+HospitalRecords

Etherwood – Begin By Letting Go (Isolation Jam)

Buy or stream ‘Isolation Jams’ here: Etherwood.lnk.to/IsolationJamsyc

‘Isolation Jams’ is the beautifully stripped-back acoustic exploration from former Med School headliner, now Hospital Records sensation, Etherwood, created during our unexpected period of isolation in 2020. Known for his deeply soothing and uplifting drum & bass, Etherwood strikes heartstrings with six acoustic covers of his own well-loved D+B anthems, plus Wilkinson’s ‘Afterglow,’ in a series that came to life from his own home. This wonderfully unique seven-track release showcases Etherwood’s raw flair as a multi-talented artist, bringing his soulful vocals and meaningful lyrics to light.

‘Isolation Jams’ opens with a moving rendition of one of his most loved tracks to date, ‘Begin By Letting Go’ taken from his self-titled debut album in 2013. Heavily sustained guitar strings lead us in, remnant of the anticipation evoked in iconic tracks by Pink Floyd, one of Etherwood’s earliest influences. Spacey improvisation develops into arguably the most anthemic of Woody’s lighter-raising productions as we absorb his ethereal vocals and catchy guitar progressions, this 2020 acoustic rendition adds yet another layer of depth to this D+B ballad that has stood the test of time.

With his adaptation of ‘Afterglow’ Etherwood reimagines the original to create a poignant reflection of the times, with the slow tempo mirrors the sleepy pace of isolation. The lyrics, ‘even though the dancing’s done’, originally sung by the incredible Becky Hill, find new meaning in the colourful memories once shared and remind us of the healing power of musical experiences.

The EP draws warmly to a close with ‘Clouds’, pure, understated food for the soul. With a moving stripped-back, vocal lead from Phoebe Freya and moody guitar plucks. It’s clear that even when you peel back the drums, and the bass, Etherwood’s singer-songwriter talent shines through, laden with atmosphere and emotion.

With three successful albums under Etherwood’s belt, ‘Isolation Jams’ is an exciting new addition to his collection. His debut album ‘Etherwood’ gained support from a variety of BBC Radio 1 and 1Xtra DJs such as Annie Mac and MistaJam, and also saw club support from tastemakers such as Netsky and Sub Focus. Etherwood’s second album ‘Blue Leaves’ flew straight to the top of the iTunes Electronic chart, sparking two nominations in the Drum & Bass Awards: ‘Best Producer’ and ‘Best Album’. Etherwood is no stranger to the BBC Radio 1 playlist, featuring with tracks such as ‘Forest Fires’ his Fred V & Grafix collaboration and ‘Light My Way Home’ ft. Eva Lazarus. He also had the honour to perform his own live session at the iconic Maida Vale studios, and featured on Crissy Criss’s highly exclusive ‘Xtra Talent’ show on BBC Radio 1.

Follow Etherwood:

https://www.facebook.com/etherwood/
https://www.twitter.com/etherwooduk?
https://www.instagram.com/etherwooduk/

Follow Hospital Records:

http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords

http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospitalrecords
http://www.google.com/+HospitalRecords

Whiney – No Good

Buy or stream ‘Bubblers Part One’ here: http://www.Whiney.lnk.to/bubblerspartoneyc

Then one of Med School’s youngest ever signings with his compilation feature ‘No More’, drum & bass head turner Whiney has stepped up to the plate for his first solo release since officially joining the Hospital Records roster. Reputable for supplying heavy duty sonics, ‘Bubblers Part One’ is a supreme development of the 25-year old’s highly sought signature sound. Home to four fresh cuts marking the start of his trailblazing new three-part ‘Bubblers’ series, Whiney’s latest EP proves he’s got the technique and flair to be a lead player in the scene.

Jungle-infused gritty stepper ‘No Good’ gets things rolling with old-school soundscapes and a captivating R&B style vocal. A fierce ascending bassline accompanied by raw breaks and crisp percussion hits explode into play, setting the track up to be a future classic that continues to carry the foundations of drum & bass into the sounds of today.

Featuring the vocals of mic veteran MC GQ, ‘Guernsey Airport Bubbler’ is straight-talking and deadly. Written in the lounge of Guernsey Airport amidst his busy touring schedule pre-lockdown, this quirky heavy hitter comes close to being a textbook audible representation of a true bubbler.

Minimal sounding and darker in vibe, ‘Black Ice’ offers a copious amount of distorted swells, a throbbing sub line and snappy drums which keep the tune swinging throughout. Icey by name but extremely hot in nature – proceed with caution! ‘November’ rounds off the EP as it draws closer to Whiney’s trip-hop and future bass oriented inspirations. Thumping kick drums, high pitched vocal chops and dreamy synth work are projected into a glistening beacon showcasing the far reaching ability of his skill as a creator.

With an impressive collection of releases under his belt on the recently closed Med School imprint, including ‘Stop The Clock / Breadcrumbs (feat. BOP)’, his ‘Waystone’ LP and debut album ‘Talisman’, it’s now time for Whiney to officially join the Hospital Records roster with his first solo release on the label as he continues to pave his way to becoming one of the most respected artists within drum & bass.

Follow Whiney:

http://www.facebook.com/whineymusic

http://www.instagram.com/whineymusic

Follow Hospital Records:

http://www.hospitalrecords.com
https://www.facebook.com/Hospitalrecords

http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospitalrecords
http://www.google.com/+HospitalRecords

Lung – Stop Crying

Buy or stream ‘Med School: Graduation’ here: www.HospitalRecords.lnk.to/MSGraduationyc

After thirteen years and over ninety releases, Med School has stacked the chairs and closed its doors. As a final farewell to the label, the ‘Med School: Graduation’ compilation celebrates the life of Hospital Records’ once sister label, as well as the musicians and culture that defined it, with 23 brand new tracks from label stalwarts such as Bop, Keeno, Etherwood and Whiney as well as the new blood that was always so important to the label’s experimental output.

In Med School fashion, the album brings together a myriad of drum & bass stylings and beyond. From the microfunk movements of Bop to Illexandra’s warped emergency warnings, Lakeway’s upfront grime beats to the unique electronic musings of Frederic Robinson, A.Fruit and Kimyan Law.

Representing the serene side of Med School is Etherwood’s ‘Nowhere To Go But Everywhere’, alongside beautiful contributions from Keeno, Natus and Polaris. The tribal infusions of Royalston’s stepper ‘Mark’s Shibari Groove’ and Lung’s techno-fused rabbit hole ‘Stop Crying’ switch up the pace to reflect the breadth of Med School’s outputs. The compilation also calls back to the very beginnings of the label with a special VIP treatment of S.P.Y’s first release in the Hospital camp, MEDIC1 ‘Black Flag’.

Whiney not only brings in his deep new stepper ‘Close To You’ but is also the man behind the continuous mix on the album, seamlessly bringing together all 23 tracks for one final salute to Med School Music.

“ Medschool was an amazing label for taking risks, from Syntax to The Erised and everything in between… Without risks and new talent we cannot grow. Without you believing in our risks and new talent we are nothing.” – London Elektricity.

Follow Lung:

www.soundcloud.com/lung
www.facebook.com/Lungtronica/

Follow Hospital Records:

http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords

http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospitalrecords
http://www.google.com/+HospitalRecords

Miss Redflower – Conundrum

Buy or stream ‘Med School: Graduation’ here: http://www.HospitalRecords.lnk.to/MSGraduationso

After thirteen years and over ninety releases, Med School has stacked the chairs and closed its doors. As a final farewell to the label, the ‘Med School: Graduation’ compilation celebrates the life of Hospital Records’ once sister label, as well as the musicians and culture that defined it, with 23 brand new tracks from label stalwarts such as Bop, Keeno, Etherwood and Whiney as well as the new blood that was always so important to the label’s experimental output.

In Med School fashion, the album brings together a myriad of drum & bass stylings and beyond. From the microfunk movements of Bop to Illexandra’s warped emergency warnings, Lakeway’s upfront grime beats to the unique electronic musings of Frederic Robinson, A.Fruit and Kimyan Law.

Representing the serene side of Med School is Etherwood’s ‘Nowhere To Go But Everywhere’, alongside beautiful contributions from Keeno, Natus and Polaris. The tribal infusions of Royalston’s stepper ‘Mark’s Shibari Groove’ and Lung’s techno-fused rabbit hole ‘Stop Crying’ switch up the pace to reflect the breadth of Med School’s outputs. The compilation also calls back to the very beginnings of the label with a special VIP treatment of S.P.Y’s first release in the Hospital camp, MEDIC1 ‘Black Flag’.

Whiney not only brings in his deep new stepper ‘Close To You’ but is also the man behind the continuous mix on the album, seamlessly bringing together all 23 tracks for one final salute to Med School Music.

“ Medschool was an amazing label for taking risks, from Syntax to The Erised and everything in between… Without risks and new talent we cannot grow. Without you believing in our risks and new talent we are nothing.” – London Elektricity.

Follow Miss Redflower:

http://www.soundcloud/missredflower
http://www.facebook.com/missredflower
http://www.instagram.com/miss_redflower_music/

Follow Hospital Records:

http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords

http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospitalrecords
http://www.google.com/+HospitalRecords