PRG:MIX 012 – QUENTIS HIATUS

Next up in our Program series is Quentin Hiatus’ minimix, following his debut ‘Brief History’ EP on the label. Free download as always.

1. Ayo & Teo ft. Lil Yachty – Ay3
2. Quentin Hiatus – People Remedy (Dub)
3. Quentin Hiatus – Better Never Don’t (ProgRam)
4. Quentin Hiatus – Gabriel’s Conspiracy (ProgRam)
5. Quentin Hiatus – Social Activis (Dub)
6. Quentin Hiatus – Furious Light (Dub)
7. Quentin Hiatus – Over the Moon and Back (ProgRam)
8. Quentin Hiatus – Tapion (Free Love Digi)
9. Quentin Hiatus – Splendid End (Dub)
10. Quentin Hiatus – Didn’t Wait Long Enough (ProgRam)
11. Quentin Hiatus – Interwoven (ProgRam)

Quentin Hiatus – “Better Never Don’t’

Quentin Hiatus
‘Brief History EP’
Program
Out Now

Program stand at the helm of its sister label’s underground movement, bringing forward many artists who engineer the genre’s subversive image. One of those artists is Quentin Hiatus, who has delivered a five-track EP for Program and it’s an introduction into his burgeoning legacy as a producer. He’s another example of how Program pride themselves in being able to cut through the huge amounts of music available across the spectrum to find the hidden gold, pulling out only the very best up and coming artists. And that’s why Quentin Hiatus has found himself at home within their roster.

‘Over the Moon and Back’ scuttles forward with patches of cascading percussion, which drops into bass-heavy distortion at segmented intervals. ‘Interwoven’ is filled with bleating beat loops and crackling sonics, cut through by far-away sounding vocal samples. ‘Gabriel’s Conspiracy’ streams across its mix with creepy, sing-song notes and fluctuating synth pads. Then ‘Didn’t Wait Long Enough’ is more spacious in its composition, with a bassline moving against its dainty drum sequences. Finally, ‘Better Never Don’t’ rolls along with uplifting keys and an effortless groove – although Quentin Hiatus once again plays on the listener’s senses and gives it the dissident twist which filters through each one of his records. And that’s one more reason to get with the Program – because it features artists with this stunning level of ingenuity.

https://www.facebook.com/ProgramMusic/

https://ramrecords.com
https://www.instagram.com/ramrecords/

Quentin Hiatus – ‘Didn’t Wait Long Enough’

Quentin Hiatus
‘Brief History EP’
Program
Out Now

Program stand at the helm of its sister label’s underground movement, bringing forward many artists who engineer the genre’s subversive image. One of those artists is Quentin Hiatus, who has delivered a five-track EP for Program and it’s an introduction into his burgeoning legacy as a producer. He’s another example of how Program pride themselves in being able to cut through the huge amounts of music available across the spectrum to find the hidden gold, pulling out only the very best up and coming artists. And that’s why Quentin Hiatus has found himself at home within their roster.

‘Over the Moon and Back’ scuttles forward with patches of cascading percussion, which drops into bass-heavy distortion at segmented intervals. ‘Interwoven’ is filled with bleating beat loops and crackling sonics, cut through by far-away sounding vocal samples. ‘Gabriel’s Conspiracy’ streams across its mix with creepy, sing-song notes and fluctuating synth pads. Then ‘Didn’t Wait Long Enough’ is more spacious in its composition, with a bassline moving against its dainty drum sequences. Finally, ‘Better Never Don’t’ rolls along with uplifting keys and an effortless groove – although Quentin Hiatus once again plays on the listener’s senses and gives it the dissident twist which filters through each one of his records. And that’s one more reason to get with the Program – because it features artists with this stunning level of ingenuity.

https://www.facebook.com/ProgramMusic/

https://ramrecords.com
https://www.instagram.com/ramrecords/

Quentin Hiatus – ‘Gabriel’s Conspiracy’

Quentin Hiatus
‘Brief History EP’
Program
Out Now

Program stand at the helm of its sister label’s underground movement, bringing forward many artists who engineer the genre’s subversive image. One of those artists is Quentin Hiatus, who has delivered a five-track EP for Program and it’s an introduction into his burgeoning legacy as a producer. He’s another example of how Program pride themselves in being able to cut through the huge amounts of music available across the spectrum to find the hidden gold, pulling out only the very best up and coming artists. And that’s why Quentin Hiatus has found himself at home within their roster.

‘Over the Moon and Back’ scuttles forward with patches of cascading percussion, which drops into bass-heavy distortion at segmented intervals. ‘Interwoven’ is filled with bleating beat loops and crackling sonics, cut through by far-away sounding vocal samples. ‘Gabriel’s Conspiracy’ streams across its mix with creepy, sing-song notes and fluctuating synth pads. Then ‘Didn’t Wait Long Enough’ is more spacious in its composition, with a bassline moving against its dainty drum sequences. Finally, ‘Better Never Don’t’ rolls along with uplifting keys and an effortless groove – although Quentin Hiatus once again plays on the listener’s senses and gives it the dissident twist which filters through each one of his records. And that’s one more reason to get with the Program – because it features artists with this stunning level of ingenuity.

https://www.facebook.com/ProgramMusic/

https://ramrecords.com
https://www.instagram.com/ramrecords/

Quentin Hiatus – ‘Over The Moon and Back’

Quentin Hiatus
‘Brief History EP’
Program
Out Now

Program stand at the helm of its sister label’s underground movement, bringing forward many artists who engineer the genre’s subversive image. One of those artists is Quentin Hiatus, who has delivered a five-track EP for Program and it’s an introduction into his burgeoning legacy as a producer. He’s another example of how Program pride themselves in being able to cut through the huge amounts of music available across the spectrum to find the hidden gold, pulling out only the very best up and coming artists. And that’s why Quentin Hiatus has found himself at home within their roster.

‘Over the Moon and Back’ scuttles forward with patches of cascading percussion, which drops into bass-heavy distortion at segmented intervals. ‘Interwoven’ is filled with bleating beat loops and crackling sonics, cut through by far-away sounding vocal samples. ‘Gabriel’s Conspiracy’ streams across its mix with creepy, sing-song notes and fluctuating synth pads. Then ‘Didn’t Wait Long Enough’ is more spacious in its composition, with a bassline moving against its dainty drum sequences. Finally, ‘Better Never Don’t’ rolls along with uplifting keys and an effortless groove – although Quentin Hiatus once again plays on the listener’s senses and gives it the dissident twist which filters through each one of his records. And that’s one more reason to get with the Program – because it features artists with this stunning level of ingenuity.

https://www.facebook.com/ProgramMusic/

https://ramrecords.com
https://www.instagram.com/ramrecords/

Quentin Hiatus – ‘Interwoven’

Quentin Hiatus
‘Brief History EP’
Program
Out Now

Program stand at the helm of its sister label’s underground movement, bringing forward many artists who engineer the genre’s subversive image. One of those artists is Quentin Hiatus, who has delivered a five-track EP for Program and it’s an introduction into his burgeoning legacy as a producer. He’s another example of how Program pride themselves in being able to cut through the huge amounts of music available across the spectrum to find the hidden gold, pulling out only the very best up and coming artists. And that’s why Quentin Hiatus has found himself at home within their roster.

‘Over the Moon and Back’ scuttles forward with patches of cascading percussion, which drops into bass-heavy distortion at segmented intervals. ‘Interwoven’ is filled with bleating beat loops and crackling sonics, cut through by far-away sounding vocal samples. ‘Gabriel’s Conspiracy’ streams across its mix with creepy, sing-song notes and fluctuating synth pads. Then ‘Didn’t Wait Long Enough’ is more spacious in its composition, with a bassline moving against its dainty drum sequences. Finally, ‘Better Never Don’t’ rolls along with uplifting keys and an effortless groove – although Quentin Hiatus once again plays on the listener’s senses and gives it the dissident twist which filters through each one of his records. And that’s one more reason to get with the Program – because it features artists with this stunning level of ingenuity.

https://www.facebook.com/ProgramMusic/

https://ramrecords.com
https://www.instagram.com/ramrecords/

Freek – ‘Human Being’

Freek – ‘Human Being’

Taken from the EP Ram goes to Let it Roll 3.0
Out Now
RAMM332

https://www.ramrecords.com/download/ramm332

__________

The world’s seminal drum & bass festival is nearly upon us and in celebration the twenty five year strong Ram Records label are about to drop yet another compilation EP to announce their 2018 stage takeover. The track listing is as weighty as the artists they’ll be bringing along to Let it Roll this year; packed with seven new exclusives, from a range of producers both within the Ram roster as well as guests who’ve delivered a range of heaters throughout the imprint’s back catalogue, it’s sure to set the motions in place for the Let it Roll countdown.

Whether it’s the indisputably emotive formula of Sound in Noise’s offering ‘The Prophet’, or Audio’s rework of his collaboration ‘Creatures’ with MC Nuklear and Prolix, there’s a range of production styles which epitomise how diverse Ram has come to be over two decades. Freek’s ‘Human Being’ channels the artist’s tell-tale, bouncy signature whilst newcomer Kung crashes forward with the thumping bass peddles and rowdy drum sequences of ‘Eunoia’. Legion & Logam make a welcome comeback with ‘Mullholland Drive’ alongside Hamilton’s ‘Hopelessly Addicted VIP’, whilst Rene LaVice follows up his recent album ‘Far From Perfect’ with the crunching snares of ‘Poke the Bear’ with Lynx, and Subview’s record ‘Take Me Back’ rolls through with its liquid underpinning and sudden descendent into crashing breaks.

It’s an all-encompassing look at what Ram has to give this year at Let it Roll. As usual, it’s looking to be another monumental year for the world’s global gathering of drum & bass fans. Ram’s taster of what’s to come is just the beginning.

_______

http://www.facebook.com/RAMrecordsltd

https://www.youtube.com/user/RamRecords
http://www.ramrecords.com

Kung – ‘Eunoia’

Kung – ‘Eunoia’

Taken from the EP Ram goes to Let it Roll 3.0
Out Now
RAMM332

https://www.ramrecords.com/download/ramm332

__________

The world’s seminal drum & bass festival is nearly upon us and in celebration the twenty five year strong Ram Records label are about to drop yet another compilation EP to announce their 2018 stage takeover. The track listing is as weighty as the artists they’ll be bringing along to Let it Roll this year; packed with seven new exclusives, from a range of producers both within the Ram roster as well as guests who’ve delivered a range of heaters throughout the imprint’s back catalogue, it’s sure to set the motions in place for the Let it Roll countdown.

Whether it’s the indisputably emotive formula of Sound in Noise’s offering ‘The Prophet’, or Audio’s rework of his collaboration ‘Creatures’ with MC Nuklear and Prolix, there’s a range of production styles which epitomise how diverse Ram has come to be over two decades. Freek’s ‘Human Being’ channels the artist’s tell-tale, bouncy signature whilst newcomer Kung crashes forward with the thumping bass peddles and rowdy drum sequences of ‘Eunoia’. Legion & Logam make a welcome comeback with ‘Mullholland Drive’ alongside Hamilton’s ‘Hopelessly Addicted VIP’, whilst Rene LaVice follows up his recent album ‘Far From Perfect’ with the crunching snares of ‘Poke the Bear’ with Lynx, and Subview’s record ‘Take Me Back’ rolls through with its liquid underpinning and sudden descendent into crashing breaks.

It’s an all-encompassing look at what Ram has to give this year at Let it Roll. As usual, it’s looking to be another monumental year for the world’s global gathering of drum & bass fans. Ram’s taster of what’s to come is just the beginning.

_______

http://www.facebook.com/RAMrecordsltd

https://www.youtube.com/user/RamRecords
http://www.ramrecords.com

Legion & Logam – ‘Mullholland Drive’

Legion & Logam – ‘Mullholland Drive’

Taken from the EP Ram goes to Let it Roll 3.0
Out Now
RAMM332

https://www.ramrecords.com/download/ramm332

__________

The world’s seminal drum & bass festival is nearly upon us and in celebration the twenty five year strong Ram Records label are about to drop yet another compilation EP to announce their 2018 stage takeover. The track listing is as weighty as the artists they’ll be bringing along to Let it Roll this year; packed with seven new exclusives, from a range of producers both within the Ram roster as well as guests who’ve delivered a range of heaters throughout the imprint’s back catalogue, it’s sure to set the motions in place for the Let it Roll countdown.

Whether it’s the indisputably emotive formula of Sound in Noise’s offering ‘The Prophet’, or Audio’s rework of his collaboration ‘Creatures’ with MC Nuklear and Prolix, there’s a range of production styles which epitomise how diverse Ram has come to be over two decades. Freek’s ‘Human Being’ channels the artist’s tell-tale, bouncy signature whilst newcomer Kung crashes forward with the thumping bass peddles and rowdy drum sequences of ‘Eunoia’. Legion & Logam make a welcome comeback with ‘Mullholland Drive’ alongside Hamilton’s ‘Hopelessly Addicted VIP’, whilst Rene LaVice follows up his recent album ‘Far From Perfect’ with the crunching snares of ‘Poke the Bear’ with Lynx, and Subview’s record ‘Take Me Back’ rolls through with its liquid underpinning and sudden descendent into crashing breaks.

It’s an all-encompassing look at what Ram has to give this year at Let it Roll. As usual, it’s looking to be another monumental year for the world’s global gathering of drum & bass fans. Ram’s taster of what’s to come is just the beginning.

_______

http://www.facebook.com/RAMrecordsltd

https://www.youtube.com/user/RamRecords
http://www.ramrecords.com

Hamilton – ‘Hopelessly Addicted’ VIP

Hamilton – ‘Hopelessly Addicted’ VIP

Taken from the EP Ram goes to Let it Roll 3.0
Out Now
RAMM332

https://www.ramrecords.com/download/ramm332d

__________

The world’s seminal drum & bass festival is nearly upon us and in celebration the twenty five year strong Ram Records label are about to drop yet another compilation EP to announce their 2018 stage takeover. The track listing is as weighty as the artists they’ll be bringing along to Let it Roll this year; packed with seven new exclusives, from a range of producers both within the Ram roster as well as guests who’ve delivered a range of heaters throughout the imprint’s back catalogue, it’s sure to set the motions in place for the Let it Roll countdown.

Whether it’s the indisputably emotive formula of Sound in Noise’s offering ‘The Prophet’, or Audio’s rework of his collaboration ‘Creatures’ with MC Nuklear and Prolix, there’s a range of production styles which epitomise how diverse Ram has come to be over two decades. Freek’s ‘Human Being’ channels the artist’s tell-tale, bouncy signature whilst newcomer Kung crashes forward with the thumping bass peddles and rowdy drum sequences of ‘Eunoia’. Legion & Logam make a welcome comeback with ‘Mullholland Drive’ alongside Hamilton’s ‘Hopelessly Addicted VIP’, whilst Rene LaVice follows up his recent album ‘Far From Perfect’ with the crunching snares of ‘Poke the Bear’ with Lynx, and Subview’s record ‘Take Me Back’ rolls through with its liquid underpinning and sudden descendent into crashing breaks.

It’s an all-encompassing look at what Ram has to give this year at Let it Roll. As usual, it’s looking to be another monumental year for the world’s global gathering of drum & bass fans. Ram’s taster of what’s to come is just the beginning.

_______

http://www.facebook.com/RAMrecordsltd

https://www.youtube.com/user/RamRecordsTV
http://www.ramrecords.com

Audio & Prolix ft. Nuklear MC – ‘Creatures’ (Audio Let It Roll VIP)

Audio & Prolix ft. Nuklear MC – ‘Creatures’ (Audio Let It Roll VIP)

Taken from the EP Ram goes to Let it Roll 3.0
Out Now
RAMM332

https://www.ramrecords.com/download/ramm332d

__________

The world’s seminal drum & bass festival is nearly upon us and in celebration the twenty five year strong Ram Records label are about to drop yet another compilation EP to announce their 2018 stage takeover. The track listing is as weighty as the artists they’ll be bringing along to Let it Roll this year; packed with seven new exclusives, from a range of producers both within the Ram roster as well as guests who’ve delivered a range of heaters throughout the imprint’s back catalogue, it’s sure to set the motions in place for the Let it Roll countdown.

Whether it’s the indisputably emotive formula of Sound in Noise’s offering ‘The Prophet’, or Audio’s rework of his collaboration ‘Creatures’ with MC Nuklear and Prolix, there’s a range of production styles which epitomise how diverse Ram has come to be over two decades. Freek’s ‘Human Being’ channels the artist’s tell-tale, bouncy signature whilst newcomer Kung crashes forward with the thumping bass peddles and rowdy drum sequences of ‘Eunoia’. Legion & Logam make a welcome comeback with ‘Mullholland Drive’ alongside Hamilton’s ‘Hopelessly Addicted VIP’, whilst Rene LaVice follows up his recent album ‘Far From Perfect’ with the crunching snares of ‘Poke the Bear’ with Lynx, and Subview’s record ‘Take Me Back’ rolls through with its liquid underpinning and sudden descendent into crashing breaks.

It’s an all-encompassing look at what Ram has to give this year at Let it Roll. As usual, it’s looking to be another monumental year for the world’s global gathering of drum & bass fans. Ram’s taster of what’s to come is just the beginning.

_______

http://www.facebook.com/RAMrecordsltd

https://www.youtube.com/user/RamRecordsTV
http://www.ramrecords.com

Survival – I Found You (ft. Naomi Pryor)

● Follow our Liquid playlist: http://ukf.io/LiquidPlaylist
● Pre-Order the LP: http://bit.ly/dissulp001
Emotional roller from Survival, taken from his ’Take It Back’ LP, forthcoming on Dispatch 30th June.

Survival
Like → https://www.facebook.com/stevesurvival/
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Dispatch
Like → https://www.facebook.com/DispatchRecordings
Follow → https://twitter.com/dispatchrecs
Listen → https://soundcloud.com/anttc1
Instagram → https://www.instagram.com/dispatchrecordings/
Visit → http://www.dispatchrecordings.com/

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EZ Rollers – Crowd Rocker (Savage Rehab Remix)

Think you can make a better remix? Go to http://www.back2you.co.uk and submit your own!

Savage Rehab official remix of this EZ Rollers classic, the Doug-E-Fresh sampling ‘Crowd Rocker’. This will be available to bag on vinyl some time in the summer. The label, Back 2 You, is hunting out fresh talent by launching a competition to remix the tune again for th B-Side. if you want to find out more go to http://www.back2you.co.uk

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